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Abstract
ABS-62
Kezia Levronka^s ^Tak Ingin Usai^ Phenomenon in the Context of Music Industry
Ni Wayan Ardini
Corresponding Author: Ni Wayan Ardini


Question from Dr. Yuliana Rakhmawati
2022.12.21 15:04:53

Hello, I am yuliana from Universitas Trunojoyo Madura
According to the author, is there a myth that can be interpreted from the song
Keisha ^Tak Lagi Usai^ in the current Indonesian socio-cultural context? thank you

Reply from Dr. Ni Wayan Ardini
2022.12.21 17:16:04

Well, thank you for the question. I must say that this song contains only an ordinary
story of life. It^s just an usual story of love among a girl (the singer) and her (used to
be) boy friend. So that I cannot relate such kind of (song) story as a myth. But,
discussing about a song like ^Tak Ingin Usai^, this phenomenon (a failure to hit high
notes of the song climax) is potential as a ^myth^ in a certain meaning because in fact
the notes in the song are very very high (I don^t know why the song writer do this
thing). The notes are always waited by audiences because they are very aesthetic and
melodious. Not all best singers can hit the notes in ^Tak Ingin Usai^. Even the song
writer (Mario G Klau) when perform live can only change the song into RnB and not as
a pop song as sung by Keisya Levronka. Mario G Klau avoid the high notes so that the
^soul^ of the song is off course different. I want to say that, today, if a singer want to
hit the notes like in ^Tak Ingin Usai^ it is better for him/her to us sophisticated music
technology machine and/or background singer(s). That^s my answer. Thank you.

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