SUSTAINABILITY OF TRADITIONAL CERAMIC ART IN BASANG TAMIANG KAPAL VILLAGE BADUNG REGENCYPlease Just Try to Submit This Sample Abstract
Ni Putu Muliawati, I Wayan Mudra

Istitut Seni Indonesia Denpasar

Abstract

The life of Balinese society is closely related to religious ceremonies that utilize traditional ceramics as ceremonial tools, such as coblong, dulang, pengasepan, caratan, paso, and jun. Among several centers of traditional ceramic craftsmanship scattered in the Bali region, there is one center that remains in existence to this day, while some other centers of traditional ceramic craftsmanship seem to be dormant and even tend to become more marginalized. The research aims to analyze the sustainability of traditional ceramic art in Banjar Basang Tamiang from the perspective of the younger generation. The main research problems are: the sustainability of traditional ceramic art in Basang Tamiang from the perspective of the younger generation, aesthetics in traditional ceramic art in Basang Tamiang, and the implications of the sustainability of traditional ceramic art in Basang Tamiang on the social, cultural, and economic life of the artisans. The research uses a qualitative method, grounded in the theories of Derrida^s Deconstruction, Parker^s Aesthetics, and Luxenburg^s Reception. The research is conducted in Banjar Basang Tamiang, Kapal Village, Badung Regency, Bali Province, in the year 2023. Data collection techniques include observation, interviews, and documentation, with informant selection using purposive sampling. The research findings are as follows: First: The current sustainability of traditional ceramic art in Basang Tamiang is solely based on belief and respect for ancestors. The younger generation is not interested in directly engaging as ceramic artisans, posing a threat to its continuity. On one hand, the continuity of market demand strongly supports, especially for ceramics used in religious ceremonies. Second: The aesthetics of traditional ceramic art in Basang Tamiang show that decorative ceramics take the forms of animals and human figures touched by art, while ceramics for religious ceremonies are made in various shapes and sizes according to their functions. Third: The sustainability of traditional ceramic art in Basang Tamiang has implications for economic improvement, social interaction closeness, job creation, and product diversity.
Keywords: Existence- Traditional Ceramic Art- Basang Tamiang

Keywords: Existence- Traditional Ceramic Art- Basang Tamiang Just Try to Submit This Sample Abstract

Topic: Other Social Sciences & Humanities